From the node genius to the ingenios hub.
The potential in network based consciousness, a project for investigating interdisciplinary practices within art and science.
Trondheim Academy of Fine Art’s Experts In Team Village, NTNU, Spring 2014.
Science and art, human’s highest forms of creativity, have through history diverged into two different intellectual forms. This village aim to challenge the notion of science and art as separate entities with the ambition of bringing down the artificial barriers that might be blocking major breakthroughs in human society and culture.
We will investigate the potential in network based consciousness, specifically aimed at interdisciplinary practices in art and science; From the node genius to the ingenios hub, the Renaissance man 2.0.
Our external partner is Meta.Morf, Trondheim’s biennale for art and technology.
Artistic and scientific researches are continuously part of challenging and changing our perspectives on life, often implying new philosophical and existential questions. Biotechnology, nanotechnology, neuroscience and new communications and computer technologies represent fields that expands the boundaries of artistic practices, practices that in turn may reveal unexplored viewpoints for scientifically based research.
The village’s projects shall be developed as potential contributions for the biennale.
Projects can be of administrative, curatorial, artistic or scientific character, based on the subject area ‘art & technology’.
– Investigation of existing art and technology structures, domestic and global, and their potentials.
– The notion of common nature in self organizing structures. How does this imply to art and technology research?
– Engaging artistic potentials within structural behavior.
– Designing experiments that explore self organizing structures.
– Mediating between art and technology: Events, Lecturing, Social connections, Communication methods.
– Establishing a Think Tank with the purpose of discussing the philosophical and practical potential in the field of art and technology.
[tab:Lost in Transition]
Meta.Morf 2014 – Lost in Transition.
May 1- June 1, 2014.
Meta.Morf 2014 has the ambition of illuminating transformative processes as aesthetic phenomena. Phenomena that in themselves are of great intrinsic value.
The perpetual processes of change that can be observed within all levels of the universe, from micro to macro scale, from stardust to animate entities, are constantly generating new patterns and structures. These are processes that in turn affect further development of physical form, conceptual ideas, social structures and eco-systems of any kind.
Meta.Morf 2014 recognizes the processes of change to be a necessary gateway for questions related to our origin and destination. With the assumption that the only true constant in the universe is change, we may indeed envision ourselves entrancingly lost in transition.
Espen Gangvik / 2014
Examples of practices in the field of art and technology
‘Making reality really real’
Eds.: Ascott, Gangvik, Jahrmann. TEKS 2010. Download pdf, 7.1 MB.
In contemporary Western culture, the transformation of our sense of being, of presence, and the nature of time, can be seen as a consequence of accelerated developments in the technologies of mind and of the body (technoetics). Much earlier cultures also developed technologies, often dismissed as “simply” somatic or vegetal, that had the capacity to transform consciousness, reaching it would appear a spiritual significance that has so far, in these early days of digital development, eluded us. There may be political, corporate or cultural reasons for this. But as we move out of the era of techno-primitivism and reductionist fundamentalism, we can hopefully look to the encoding of empathy and emotion in computational systems, and so to an understanding that only when the computer can feel will there be machines that think. This may lead, in turn, to a greater understanding of what constitutes reality, or, as some might see it, a greater capacity to (re)build it, and ourselves, bottom up.
Roy Ascott, 2010.
Organisations / projects.
TEKS – Trondheim Electronic Arts Centre
ReMida – Senter for kreativ gjenbruk
Experts in Team, NTNU
PNEK – Production network for electronic art, Norway
BEK – Bergen Senter for Elektronisk Kunst
Dans for Voksne
We make money not art
V2_ [Institute for unstable media, Holland]
DEAF – Dutch Electronic Art Festival
UCLA ART | SCI CENTER + LAB
Artists that already have been exhibiting at Trondheim Matchmaking or Meta.Morf, or are topical for future biennales (excerpt).
Ionat Zurr / Oron Catts
Cohen Van Balen
Jessica De Boer
Driessens & Verstappen
Xandra Van Der Eijk
Seiko Mikami and Sota Ichikawa
Marnix de Nijs
Frederik De Wilde
Evelina Domnitch & Dmitry Gelfand
Seiko Mikami and Sota Ichikawa
Studio Zoro Feigl
Marta De Menezes
1. Point of interest
2. Research question
3. Argumentation / Concept
4. Production (can be):
Exhibition curating / Art production / Seminar production / Theory & critic production / Public debate & interaction /
Gallery / Public space (indoors & outdoors) / Cyberspace (internet, augmented realities)
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Magnus Bjørnøy / Eirik Hovland Kjær[tab:END]