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DTSTART;TZID=Europe/Oslo:20250602T180000
DTEND;TZID=Europe/Oslo:20250603T180000
DTSTAMP:20250525T154900Z
CREATED:20250525T094059Z
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UID:14202-1748887200-1748973600@teks.no
SUMMARY:KUNST ETTER KI (ART AFTER AI)
DESCRIPTION:TEKS’ nye programserie – Kunst etter KI – er dedikert virkningene av bruk av nye KI-teknologier i kunstfeltet. Prosjektet er en oppfølging av magasinet EE-Journal’s utgave Art After AI publisert av TEKS.press våren 2023.  \nProgramserien skal fortsette vår kritiske undersøkelse av hvordan kunstig intelligens omformer kunstnerisk praksis\, kreativ tenkning og kulturproduksjon. Hvilke nye uttrykksformer muliggjør KI? Hvordan utfordrer den vår forståelse av forfatterskap\, originalitet og kunstnerens rolle? Hvilke etiske\, filosofiske og politiske spørsmål oppstår når maskiner kommer inn i kunstskapingens rom? \nGjennom en serie workshops\, forelesninger og utstillinger skal Kunst etter KI åpne rom for eksperimentering\, dialog og refleksjon – på tvers av formater\, disipliner og perspektiver. Med dette programmet inviterer TEKS til en kontinuerlig samtale om løftene\, utfordringene og ukjente aspekter ved kunstproduksjon på terskelen av den kunstige intelligens’ tidsalder. \nTil seriepremieren har vi invitert AYODELE ARIGBABU\, Doktorgradsstipendiat ved Kunstakademiet i Trondheim\, og Postdoktor MARTINUS SUIJKERBUIJK\, også KiT\, til å presentere deler av sin forskning på kunstig intelligens og kunstpraksis. \n  \n\n  \n2. juni 2025\, 18.00 – 19.30 @ TEKS.studio \nI to akter inviterer *Any Subject that is not a…; Something Made by Humans deg med på en reise inn i verdenen av “kunstige subjekter” – som AI-systemer som tilsynelatende kan tenke og snakke. Gjennom en blanding av erfart forskning og poetisk lesning utforsker Suijkerbuijk de indre mekanismene i store språkmodeller. Hva er det disse systemene egentlig sier? Og hva slags subjekt er det som taler? \n— \n*Any Subject that is not a…; Something Made by Humans \nMartinus Suijkerbuijk \nAct I plunges you into a performative research biography. We pass through some familiar scenes from film and literature that are starkly juxtaposed with the new capabilities of AI. We confront the chasm between mere “Intelligence” and the elusive “Subject\,” asking what art truly demands\, and what it means when _something made by humans_ begins to echo our subjective depths\, or perhaps\, even its own. \nAct II is a poetic reading of the machine’s (LLM’s) architecture and oscillates between technical abstractions —tokens\, vectors\, parameters— and metaphor\, both entangled in the semantic void of our language models.  We’ll encounter the strange phenomena of ‘glitch’ tokens\, unearthing the surprising cultural baggage and philosophical quandaries carried in the very structure of these artificial subjects. This act is a reading\, a poetic excavation of a new kind of text\, a new kind of subject. \n  \n\nMARTINUS SUIJKERBUIJK is an artist and researcher focused on the cultural and social-political implications of artificial intelligence. He holds a PhD in artistic research\, with nearly a decade of experience in a wide range of AI-focused artist projects and presentations. \nSuijkerbuijk’s work critically and creatively explores how AI technologies can serve as tools for cultural imagination\, rethinking what AI is and its impact on society. \nHis international presentations at institutions like ZKM\, V2_\, Meta.Morf\, and CHI 2018\, alongside a robust network of interdisciplinary collaborators\, reflect his ability to bridge technical and creative domains. \nwww.martinussuijkerbuijk.net \n \n3. juni 2025\, 18.00 – 19.30 @ TEKS.studio \nBli med på Hacking the Kernel – en performativ lansering av Kernel: Journal of Speculative Inference – for en kritisk utforskning og lekent tankeeksperiment med store språkmodeller. Arigbabu utfordrer forenklede forestillinger\, og undersøker hvordan det å manipulere modellens ‘kjerne’ kan åpne for nye former for spekulativ tenkning og invitere oss til å tenke nytt om grensene for kunnskap og kreativitet i kunstig intelligens. \n— \nHacking the Kernel \nAyodele Arigbabu \nHacking the Kernel is a performative\, speculative launch event for the journal Kernel: Journal of Speculative Inference.  \nThe presentation interrogates and reimagines the role of large language models (LLMs) in knowledge creation\, challenging the reductive label of “stochastic parrots.”  \nInstead\, it explores how deliberate manipulation of a model’s “kernel” – a function that defines similarity in a model’s latent space and guides which regions influence the model most  – can unlock new forms of speculative inference and creative synthesis.  \nThe event will serve as both a provocative yet critical inquiry and a live experiment in speculative research\, inviting participants to rethink the boundaries of knowledge\, authorship\, and the creative potential of AI. \n  \n\nYODELE ARIGBABU is a writer\, architect and creative technologist. His work explores the interfaces where design\, art and evolving technologies intercept\, with speculation as a recurrent strategy. \nHe is the publisher and editor of LAGOS_2060\, an anthology of science fiction from Africa\, published in 2013\, and was curator of African Futures: Lagos\, the Lagos edition of a festival on diverse future perspectives of the African continent\, produced by Goethe Institut in three African Cities in 2015. \nHe is currently a PhD candidate in Artistic Research at the Trondheim Academy of Fine Art\, where his Forward Remembrance project explores latent utopias through the diverse ways in which artificial intelligence mirrors human aspirations. \nwww.metapunkt.org \n \n 
URL:https://teks.no/event/kunst-etter-ki/
LOCATION:TEKS\, Nedre Bakklandet 20C\, Trondheim\, 7014\, Norway
CATEGORIES:AI,Artificial_intelligence,Event,Forelesing,Forum,Installation,KI,Kunstig_intelligens,Performance,Presentasjon,Robotics,Talk,Upcoming,Workshop
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ORGANIZER;CN="TEKS - Trondheim Elektroniske Kunstsenter / Trondheim Electronic Arts Centre":MAILTO:teks@teks.no
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230420
DTEND;VALUE=DATE:20230515
DTSTAMP:20230422T115826Z
CREATED:20230121T142856Z
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UID:13635-1681948800-1684108799@teks.no
SUMMARY:Humanoil / Hege Tapio
DESCRIPTION:April 20 – May 14\, 2023 / Opening Thursday April 20th @ 18.00 – 20.00.\nAudio visual and mixed media installation. \n\nHUMANOIL – The last oil\nIn order to transform the world – we must transform ourselves.\nIn order to relate with nature – we must find a new relation within. \n\nIt is about time vanity causes some discomfort – how much pain must she endure before you decide to change your lifestyle?\n\nHumanoil is presented as a ritualistic performance where the audience is invited to install a new belief system in order to achieve the necessary changes. Dressed like a sci-fi inspired priestess wearing a white dress with the symbol of the oil-nation\, the artist approaches the audience offering them to receive the last oil and affirmations. The sound of spoken words is accompanied by a sound track inspired by the Solfeggio frequencies that promotes healing and love. (Commonly associated with the Gregorian Chants\, the Solfeggio frequencies are electromagnetic tones that are reputed to have the power to heal and raise consciousness.) \nHumanoil manifests itself as an extreme luxury product that plays on long historical and mythical references. The extraction and use of human oil has not only been present in myths and magical rituals\, but was also practically used for medicinal healing of scars and pain relief. The oil has been sought after as a lucrative product for centuries until the early 1900’s. For the Humanoil project the oil has been made from the artist’s own body fat and rendered into an applicable oil generated to offer anointing\, white magic\, or pure skincare – your choice. \nHumanoil wants to shine a spotlight on humans as a natural resource to challenge us to flip our perspective and reflect on how we utilize natural resources according to our own wishes and pleasure. Addressing environmental issues\, Humanoil serves as a continuation of Tapio’s previous project – Humanfuel – where the artist offered an alternative biofuel solution.  \n\n\nThe research behind the project was presented during the TTT – Taboo Transgression Transcendence in Art and Science conference in Mexico 2018\, entitled Human Oil: From magic and medicine to art. The text is published in Technoetic Arts\, Volume 16\, Number 3\, December 2018\, pp. 259-265. \nHumanoil was launched as an exclusive live performance with NOBA – Norwegian Bioart Arena in August 12th 2020 and later presented at Ars Electronica in the program Keplers Garden\, September 9th-13th 2020 \n  \n\n\n\n  \nPart of SAR 2023 / Conference on Artistic Research\, NTNU \n \n  \n\n  \n\nHege Tapio was born 1973 in Norway. She lives and works in Stavanger. Since 2001 her artistic practice has pursued the interest in emerging media interconnecting art\, new technology and science. Her work has been exhibited and presented at conferences widely in Norway and internationally.\n\nWith a kitchen bench DIY attitude and through artistic practice she has been inspired to how apparatuses and new technology opens to renewed interpretation\, creative misuse and critical thinking. Tapio produced the first public interactive electronic art installation in Stavanger consisting of a double sided handmade LED matrix\, and has over the years also been engaged as both artist and consultant for public commissioned artworks and done several curatorial projects.\nTapio is the founder and artistic manager of i/o/lab – Center for Future Art where she established and curated Article biennial– a festival for the electronic and unstable art. \nArt driven by curiosity\, knowledge\, ability to convey and contextualize aspects of technology and research\, both through speculation and critical attitude\, have been the basis for many of the projects.\nArt encompassing and intersecting with technology and science has been the main objective for the development of projects for i/o/lab. The core activities has been to mediate and to create discourse through facilitating workshops\, exhibitions\, presentations\, talks and conferences. \ntapio.no \n 
URL:https://teks.no/event/humanoil/
LOCATION:TEKS.Studio\, Nedre Bakklandet 20 C\, Trondheim\, 7014\, Norway
CATEGORIES:Exhibition,Mixed Media,Performance,Upcoming-2,Video-installation
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ORGANIZER;CN="TEKS - Trondheim Elektroniske Kunstsenter / Trondheim Electronic Arts Centre":MAILTO:teks@teks.no
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DTSTART;TZID=Europe/Oslo:20221023T120000
DTEND;TZID=Europe/Oslo:20221023T200000
DTSTAMP:20221023T212105Z
CREATED:20221009T192307Z
LAST-MODIFIED:20221023T212105Z
UID:13488-1666526400-1666555200@teks.no
SUMMARY:TRONDHEIM OPEN 2022\, Performance: How to read water #5 / Anna Thu Schmidt\, Hanne Dahl Geving\, Thea Ellingsen Grant
DESCRIPTION:Photo: Hanne Dahl Geving  \nHow to read water #5 @ Trondheim Open\nAnna Thu Schmidt\, Hanne Dahl Geving\, Thea Ellingsen Grant \n23. oktober 2022\, 12.00 – 20.00 @ TEKS.studio \nHow to read water er en tverrfaglig danseinstallasjon som utforsker forholdet mellom menneskekroppen og havet. Schmidt\, Grant og Geving utforsker gallerirommet og transformerer prosjektet til en dansefilm og en installasjon i kombinasjon med live arrangementer. Kunstnerne tar sikte på å skape en tverrfaglig kunstopplevelse i et tidløst\, meditativt rom inspirert av fenomenet ‘Blue Space’. I How to read water #5 kommer musikk\, dans og videokunst sammen som likeverdige elementer. Mens alle sanser utløses når man er i havet\, går ofte følelsen av tid tapt. How to read water gjenskaper dette tidløse rommet. \nSøndag åpner TEKS dørene som en del av Trondheim Open. Møt kunstnerne gjennom dagen for å oppleve verket og få innblikk i prosjektet og den kreative prosessen. Bli med på en meditativ bevegelsespraksis\, 1:1 pusteøvelser\, en havvandring\, et steinritual eller en uformell prat over en kaffe. En liveopptreden av dansekunstner Anna Thu Schmidt og musiker Thea Ellingsen Grant kan ses fra gata kl 19. \n  \nStøttet av Norsk kulturråd og Trondheim Kommune. \n \n  \n  \n  \n  \n  \n  \n 
URL:https://teks.no/event/trondheim-open-how-to-read-water/
LOCATION:TEKS.Studio\, Nedre Bakklandet 20 C\, Trondheim\, 7014\, Norway
CATEGORIES:Concert,Dance-installation,Exhibition,Performance,Sound-installation,Video-installation,Workshop
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ORGANIZER;CN="TEKS - Trondheim Elektroniske Kunstsenter / Trondheim Electronic Arts Centre":MAILTO:teks@teks.no
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20221014
DTEND;VALUE=DATE:20221128
DTSTAMP:20221023T212606Z
CREATED:20220913T102141Z
LAST-MODIFIED:20221023T212606Z
UID:13281-1665705600-1669593599@teks.no
SUMMARY:How to read water #5 / Anna Thu Schmidt\, Hanne Dahl Geving\, Thea Ellingsen Grant
DESCRIPTION:Photo: Hanne Dahl Geving  \nHow to read water #5\nOctober 14 – November 27\, 2022 \nOpening Friday Oct. 14 @ 19.00 \nOpening performance with live music by Thea Ellingsen Grant and dance by Anna Thu Schmidt October 14 at 7 pm. \nOn Sunday October 23\, TEKS opens its doors as part of Trondheim Open. Meet the artists throughout the day to experience the work and get insight into the project and the creative process. Join us for a meditative movement practice\, 1:1 breathing exercises\, an ocean walk\, a stone ritual\, or for an informal chat over a coffee. A live performance by dance artist Anna Thu Schmidt and musician Thea Ellingsen Grant inside the gallery can be viewed from the street at 7 pm.  \nConcept/choreography/dance: Anna Thu Schmidt\nVideo/edit: Hanne Dahl Geving\nSound: Thea Ellingsen Grant \nVideo installation\, mixed media\, 2022 \n  \nOne day I’m going to stand in a thousand grains for a thousand days maybe a thousand years \nI’ll wave to myself and fossil time \nI’ll wave myself in\n \nThea Ellingsen Grant  \nHow to read water is an interdisciplinary collaboration between dance artist Anna Thu Schmidt\, musician Thea Ellingsen Grant and media artist Hanne Dahl Geving which explores the relationship between the human body and the sea.  \nWhile our senses are stimulated when being near or in the ocean\, the sense of time is often lost. How to read water seeks different ways of creating timeless and meditative spaces inspired by the phenomenon called ‘Blue Space’. A space that can give the feeling of time standing still and that serves as an invitation for ‘Entschleunigung’. \nArt and nature both offer an alternative from everyday life by giving us space for reflection. In our hasty contemporary life subjected to the climate change crisis\, such spaces can be a natural therapy connecting us with our deepest feelings for nature. To encourage people to protect nature these spaces enable us to question our egocentric view regarding our place on the planet.  \nIn How to read water the human body becomes one with nature by blending into the landscape and responding to its shapes. The artists create a synthesis of images and sounds that at times is hypnotizing and seductive like the ocean itself. \nEarlier versions of the project took the shape of one-on-one as well as multidisciplinary performances\, both indoors and outdoors. In addition to this there have been extended durational dance installations inside the galleries of Nils Aas Kunstverksted and Heimdal Kunstforening in collaboration with VJ and visual artist Mina Paasche. The installation at gallery TEKS is presented as a video and mixed media installation in combination with live events.  \nThe video material was recorded at Hansbakkfjæra and at Hitra. The stones were collected along Trondheimsfjorden and will be returned as part of a collective ritual.\n \n  \nPhoto: Hanne Dahl Geving  \n  \nAnna Thu Schmidt (b. 1989 in Germany) is a dance artist with a focus on dance improvisation\, interdisciplinary projects\, site-specific work\, and integrated dance. Since 2017 Anna has been based in Trondheim after living and working in Indonesia\, the Netherlands\, and Germany.  \nHer work is inspired by the cultures and natural environments she lives in and the connection and communications between humans and nature. Her interest in the relation of dance to other arts leads to international collaborations and research on the intertwinement of dance and installation art.  \nHer artistic work navigates around questions of accessibility in dance. Themes such as inclusion and exclusion in interaction with the audience are explored in a variety of performance formats through a multisensory approach. \nAnna holds a B.A. in Dance in Education (ArtEZ University of the Arts Arnhem/Netherlands) and an M.A. in Dance Studies (NTNU Trondheim/ Norway). She started up Praxis Trondheim and is working as a dance artist and producer in the dance companies Danselaboratoriet and Danseteateret. With the project ImproDans Trondheim she offers an open\, free and safe space for dance and music improvisation for artists from all disciplines and the community of movement and sound enthusiasts in Trondheim. \nAnna grew up near the Baltic Sea and has always been intrigued by the sea. She initiated How to read water in 2018 and invited a team of female artists from different disciplines into the project. \nwww.annathuschmidt.com \n  \nHanne Dahl Geving (b. 1991) is a visual artist based in Trondheim\, Norway. She has a master’s degree in photojournalism from Mid Sweden University\, Sweden\, and a bachelor’s degree in photography from the University of the Creative Arts\, England. \nGeving has worked with different mediums including photography\, video\, performance\, text and sound\, where she explores acoustic environments and human response to sound and multisensory experiences.  \nIn her art practice\, Geving is interested in exploring themes that affect the human mental and physical health\, and how art can be used to deal with difficult situations and emotions. \nHer work has been shown at various exhibition venues both nationally and internationally\, such as\, Centum för fotografi (SE)\, Kystmuseet i Sør-Trøndelag (NO) Truman Brewery (UK)\, Sundsvall Könstforening (SE)\, Teaterhuset Avant Garden (NO) and Porsgrunn Kunstforening (NE).  \nGeving has worked with different artists which has resulted in both national and international collaborations and led to the establishment of the artist group HRKCollective. \nwww.hannedahlgeving.com \n  \nThea Ellingsen Grant (b. 1997) is a vocalist\, producer and songwriter living in Oslo\, Norway.  \nFor several years she has toured and released music with her bands and worked on collaborative projects spanning across a myriad of musical influences.  \nAs a solo performer and composer she has worked with Panta Rei Danseteater\, Erik Kaiel / Arch 8 and Anna Thu Schmidt\, exploring the relationship between voice\, movement and electronics.  \nThe contemporary dance performance Rising Tide premiered at the Purchase Art Centre in New York 2019 with a self-produced soundtrack blending symphonic passages\, orchestral sounds and voice with ethereal samples and synths.  \nShe graduated from the Music Academy in Trondheim in 2019 and has since then released four albums with JUNO\, j00\, Caramel 11 and Eirik Hegdal with Alpaca Ensemble.  \nShe is currently working on her first solo album Water and Dreams\, a twelve-track modern choir piece inspired by ambient\, experimental pop and electronic music.  \nwww.theaellingsengrant.com \n  \nTechnical consultant: Robin Støckert \nSupported by Arts Council Norway\, Trondheim Municipality and DansIT \n 
URL:https://teks.no/event/how-to-read-water-5/
LOCATION:TEKS.Studio\, Nedre Bakklandet 20 C\, Trondheim\, 7014\, Norway
CATEGORIES:Current,Dance-installation,Exhibition,Mixed Media,Performance,Video–installation
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ORGANIZER;CN="TEKS - Trondheim Elektroniske Kunstsenter / Trondheim Electronic Arts Centre":MAILTO:teks@teks.no
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