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DTSTART;TZID=Europe/Oslo:20240419T180000
DTEND;TZID=Europe/Oslo:20240728T160000
DTSTAMP:20250115T134449Z
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UID:14167-1713549600-1722182400@teks.no
SUMMARY:EJECTOR / Tim Høibjerg
DESCRIPTION:EJECTOR (2023-24)\nMeta.Morf 2024 – [up]Loaded Bodies / TEKS.studio / April 19 – July 28 /\nCurators: Zane Cerpina\, Boris Debackere\, Espen Gangvik\, Florian Weigl: Curatorial Statement\nwww.metamorf.no \nEjector is a multimedia installation that looks into the perception of reality\, the body\, and spirituality\, weaving these elements together to understand their impact on the formation of identity. Influenced by the advent of new technologies and the widespread dissemination of cultural forms\, this narrative delves into how these forces shape our sense of self. Set against the backdrop of our evolving digital landscape\, it highlights how the boundaries of our tangible existence are constantly being redefined. \n Connected to this is the concept of digital ontology. This refers to the life and essence digital objects possess\, whether it’s a piece of software\, a digital sculpture\, or an AI entity. These objects\, while devoid of breath\, pulse with life through code and algorithms. They influence and are influenced by us\, their human counterparts\, creating a symbiotic relationship. \n In the installation\, the fractal sculpture embodies self-replicating structures that exist in both nature and the digital realm. Fractals\, with their ceaseless repetition\, symbolize continuity and renewal. They serve as a tangible testament to the intertwining of our physical world with the digital.  \nThe accompanying video work creates an interplay between the tangible and the digital through different speculative narratives and characters’ psychology. These narratives challenge our perceptions of self and other\, exploring the fluid boundaries between human and digital entities.      \n \n  \n\nTim Høibjerg (NO/SE) (born in Kristiansand\, Norway\, based in Stockholm\, Sweden) works across a range of media\, including digital software\, animation\, installation\, and sculpture. Høibjerg’s research-based practice is anchored in queer theory\, exploring the boundaries of technology\, physicality\, temporality\, and identity. He holds an MFA from the Royal Institute of Art in Stockholm (2021) and a BFA from the Oslo Academy of Fine Arts (2019). Høibjerg’s work has recently been shown\, among others\, at Nitja Centre for Contemporary Art; Sørlandets Museum of Arts; MELK; Kunsthall Aarhus; with recent solo exhibitions at Podium; MLAG; StudyForArtPlatform.    \ntimhoibjerg.com
URL:https://teks.no/event/ejector/
LOCATION:TEKS.Studio\, Nedre Bakklandet 20 C\, Trondheim\, 7014\, Norway
CATEGORIES:Exhibition,Installation,Meta.Morf,Mixed Media,Video-installation
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ORGANIZER;CN="TEKS - Trondheim Elektroniske Kunstsenter / Trondheim Electronic Arts Centre":MAILTO:teks@teks.no
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BEGIN:VEVENT
DTSTART;TZID=Europe/Oslo:20220507T140000
DTEND;TZID=Europe/Oslo:20220731T180000
DTSTAMP:20220410T081907Z
CREATED:20220410T081848Z
LAST-MODIFIED:20220410T081907Z
UID:13205-1651932000-1659290400@teks.no
SUMMARY:DISNOVATION.ORG | Life Support System
DESCRIPTION:Meta.Morf 2022 – Ecophilia / TEKS.studio / Exhibition May 7 – July 31 /\nCurator: Zane Cerpina / Co-curator: Espen Gangvik \nLIFE SUPPORT SYSTEM\nDISNOVATION.ORG [PL/FR/DE]\nThis artistic provocation seeks to estimate the orders of magnitude of critical ecosystem services fundamental to all planetary life processes. \nIt is common to describe our relationships with society\, the world\, and the biosphere with metaphors from economics\, which has specific understandings of value. With regard to the biosphere\, today’s prevailing economics conventions are unable to recognize intrinsic value to the ecosystems on which all life depends. In cultures overdetermined by concepts from economics\, we are left without adequate discursive instruments to socially or politically address the importance of the work of the biosphere. \nThe Life Support System experiment consists of 1 square meter of wheat\, cultivated artificially in a closed environment. All inputs such as water\, light\, heat\, and nutrients are measured\, monitored and displayed for the public. This one square meter unit of Life Support System is capable of furnishing 1 day’s worth of necessary caloric nutrition for one human adult every 4 months. To feed a single human adult all year would require approximately 100 such units running concurrently. This procedure makes palpable the orders of magnitude\, of material and energy flows\, that are required to reproduce human nutritional requirements in closed or artificial environments\, in contrast to outdoor agriculture on arable land. This indoor farm experiment is a counter-example which points to the vastness of the ecosystem contributions involved in conventional agriculture\, that defy conventional economic reductionism. \nBy attempting to grow\, in a closed environment\, a staple food like wheat\, which has historically provided the greatest proportion of necessary caloric intake for humans in Europe\, this experiment provides a sense of scale of ecosystem contributions that are poorly acknowledged under the current economic conventions. \nThe empirical true-cost estimates obtained through this indoor experiment are about 200€ per kilogram of wheat\, an extravagant cost compared to the 15 cent per kilogram current market price. Though hydroponics can be used for certain plants\, for necessary caloric nutrition there is as yet no economically justifiable replacement for conventional agriculture embedded radically and immanently in the biosphere. \nThis experimental farm foregrounds the incalculable ecosystem services demands of conventional agriculture which we expect to access for free. On the other hand\, closed environments must artificially reproduce these services at high social\, energy and ecosystem costs which are mostly not accounted for. From a much broader perspective\, this art experiment provides a speculative reference for a reckoning of the undervalued and over-exploited work of the biosphere. Ecosystem processes provide the primary value at the core of each of our daily economic interactions within society. \nCredits:\nConception: DISNOVATION.ORG & Baruch Gottlieb\nWeb developer: Jerome Saint-clair\nPrototype developers: Vivien Roussel\, Thomas Demmer\nProduction: iMAL (BE) | Coproduction: Biennale Chroniques (FR) \nFormat:\nInstallation\, 1m2 of automated cultivation\, LED grow lights\, camera\, live video streaming \nHeader Graphics: “Life Support System” by DISNOVATION.ORG. \n  \nDISNOVATION.ORG  \nFounded in 2012 by Nicolas Maigret and Maria Roszkowska\, DISNOVATION.ORG is both an art collective and an international workgroup engaged in the crossovers between contemporary arts\, research and hacking. Artist and philosopher Baruch Gottlieb joined the collective in 2018. Together\, they develop situations of interference\, discussion and speculation that question dominant techno-positivist ideologies in order to foster post-growth narratives. Their research is expressed through installations\, performances\, websites and events. They recently co-edited A Bestiary of the Anthropocene\, an atlas of anthropic hybrid creatures\, and The Pirate Book\, an anthology about media piracy. \nTheir work has been presented at numerous art centers and festivals internationally such as Centre Pompidou (Paris)\, Transmediale (Berlin)\, the Museum of Art and Design (New York)\, Palais de Tokyo (Paris)\, FILE (Sao Paulo)\, ZKM (Karlsruhe)\, Strelka Institute (Moscow)\, ISEA (Hong Kong)\, Elektra (Montréal)\, China Museum of Digital Arts (Beijing)\, and the Chaos Computer Congress (Hamburg). Their work has been featured in Forbes\, Vice\, Wired\, Motherboard\, Libération\, Die Zeit\, Arte TV\, Next Nature\, Hyperallergic\, Le Temps\, Neural.it\, Digicult\, Gizmodo\, Seattle Weekly\, torrentfreak.com\, and Filmmaker Magazine among others. \nDISNOVATION.ORG \n 
URL:https://teks.no/event/disnovation/
LOCATION:TEKS.Studio\, Nedre Bakklandet 20 C\, Trondheim\, 7014\, Norway
CATEGORIES:Exhibition,Installation,Meta.Morf,Mixed Media,Upcoming
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ORGANIZER;CN="TEKS - Trondheim Elektroniske Kunstsenter / Trondheim Electronic Arts Centre":MAILTO:teks@teks.no
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DTSTART;TZID=Europe/Oslo:20200926T180000
DTEND;TZID=Europe/Oslo:20201025T160000
DTSTAMP:20200921T071613Z
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SUMMARY:THE AGREEMENT | Eirik Havnes
DESCRIPTION:THE AGREEMENT / Eirik Havnes\, 2014 – 2020\n\n \n\n—–\nNorsk\n \n\n\nLydinstallasjon\n\n \nTHE AGREEMENT er en lydinstallasjon i Havnes sin serie av feedback-baserte installasjoner\, hvor hver installasjon bruker feedback både som lydkilde og som symbol for en prosess i verden rundt oss. Denne gangen er det ekkokammeret som tematiseres\, og hvordan vi forandrer meninger basert på hvem vi snakker med\, eller hvordan vi gjennom sosiale medier eller sosiale situasjoner ofte bare presenteres med de meningene vi allerede innehar. Hvert sagblad er påmontert en liten høyttaler og en mikrofon\, som får sagbladet til å vibrere med sin egen grunnfrekvens\, men når flere sagblader blir koblet sammen i forskjellige konstellasjoner\, i forskjellige “samtaler”\, finner de stadig frem til nye toner de har til felles. \n \n—–\nEnglish\n \nSound installation\n \n\nTHE AGREEMENT is a part of Havnes’ series of feedback themed installations\, where every installation uses feedback both as a sound source and as a representation of different processes in the world around us. This time he looks at the echo chamber\, and how we change our views and attitudes based on who we are talking to\, or how we through social media often are just presented views that algorithms already know we agree with. Every saw blade is mounted with a contect speaker and contact microphone\, closing a feedback circle that makes the blade vibrate with it’s own resonance frequency\, but when several of these saw blades are connected in different constellations\, in different “conversations”\, they will always try to find frequencies they all inhibit\, that they all can agree on. \n\n\n \n\n—–\n\nEirik Havnes (b.1989) is an artist\, composer\, musician and poet from Ålesund\, with a background from Music Technology at NTNU in Trondheim.\n\n\n \nHe focuses on producing sound on the fringe of genres and technical barriers\, with a playful approach to conceptuality and perception. Feedback has been in the centre of his works for a long time\, both as a concept and as a sound source; incorporating both into his installations and musical works. The same can be said about his use of sonification; the art of translating data or concepts into sound\, to give the audience a different and auditive perspective on the subject in matter. Havnes have exhibited in arenas such as Trøndelag Senter for Samtidskunst\, Bomuldsfabriken\, Heimdal Kunstforening\, Høstscena\, Lydgalleriet\, Meta.Morf (2014) and have released a number of records. Most recently\, he has been the subject of the documentary Polyfonatura (2019)\, where director Jon Vatne has been following Havnes over the course of 4 years\, while he is composing a cinematic score solely based on field recordings.\n\nPhoto: Odin Jæger\, VG
URL:https://teks.no/event/the-agreement-eirik-havnes/
LOCATION:TEKS.Studio\, Nedre Bakklandet 20 C\, Trondheim\, 7014\, Norway
CATEGORIES:Exhibition,Meta.Morf,Sound-installation,Upcoming
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ORGANIZER;CN="TEKS - Trondheim Elektroniske Kunstsenter / Trondheim Electronic Arts Centre":MAILTO:teks@teks.no
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DTSTART;VALUE=DATE:20200305
DTEND;VALUE=DATE:20200505
DTSTAMP:20200316T220631Z
CREATED:20190726T120444Z
LAST-MODIFIED:20200316T220631Z
UID:11222-1583366400-1588553999@teks.no
SUMMARY:Meta.Morf X – Digital Wild / Group exhibition
DESCRIPTION:DIGITAL WILD\nMeta.Morf X – Digital Wild exhibition \nGROUP EXHIBITION / TRONDHEIM KUNSTMUSEUM – GRÅMØLNA\, March 5 – May 3\, 2020 \nANNA DUMITRIU\, ALEX MAY / DANIEL SLÅTTNES / DISNOVATION.ORG / HIROKI YOKOYAMA / KELLY RICHARDSON / KYRIAKI GONI / LORENZO OGGIANO / LOUIS FREHRING / MARIA SMIGIELSKA\, PIERRE CUTELLIC / NORWEGIAN MEDIA ART LIBRARY / RALF BAECKER / SANDRINE DEUMIER / UNIVERSAL EVERYTHING \n— \nToday\, about sixty years into the digital revolution\, a substantial share of our society is fully digitized. The digital domain has come to be our new habitat\, seamlessly intertwined with ourselves and our surrounding nature. \nThe undergrowth of new technologies and their practical implementations is immense. This digital wilderness develops and expands at an exponentially accelerating pace. Our perceptions of life are challenged\, we have become architects of artificial ecologies\, of new and hybrid worlds. \nArtistic and scientific research continuously challenge our perspectives on life with philosophical and existential questions\, and the artist plays as never before a crucial role as conveyor and interpreter of new knowledge and research. \nThe Meta.Morf X – Digital Wild exhibition presents artists that through their practise explore\, study and comment our digital history and future. \nRandom Access Memory is an installation from Ralf Baecker (de) that reflects on the interaction of idea and matter\, and their encounter within contemporary information technology. \nRealness – Intimate Garden by Sandrine Deumier (fr) is a video and VR installation that explores possibilities for a future mutant and hybrid nature. \nDisnovation.org (fr/pl) casts a critical view at unfettered technological innovation through the mixed media installation Shanzhai Archeology. The installation presents an extraordinary collection of mobile phones made in China as counterfeit consumer goods. These are hybrid products developed at an incredible speed\, merging piracy\, reverse engineering\, unique creativity and self-taught skills. \nLouis Frehring (fr) presents Singing Birds\, a sound installation with computer-generated birdsongs that imitates the ornithological soundscapes found in the vicinity of Trondheim. \nIn her video and internet installation Eternal U Inc.\, Kyriaki Goni (gr) explores a future business model for preserving the memories and experiences of our lost loved ones. \nIn their mixed media installation\, ArchaeaBot\, Anna Dumitriu (uk) and Alex May (uk) present a post singularity and post climate change life-form\, the ‘ultimate’ species for the end of the world as we know it. \nIn his 3D objects\, videos and digital prints; Soft bodies\, Environmental monitoring system and Quasi-objects\, Lorenzo Oggiano (it) explores synthetic based systems with processual activities conceived in a world of its own. \nDaniel Slåttnes (no) has since 2015 investigated possibilities for human-plant communication. Plant Cyborg\, consists of six plants (P. Obtusifolia) where each plant is mounted onto a mechanical device which\, based on the output from the plant’s own electrical signals\, allow them to move freely around. \nIn her video installation Orion Tide\, Kelly Richardson (ca)\, teleports us to an undefined planet surface where we observe a phenomena of sudden eruptions of light and smoke we are not given an explanation of. Natural phenomena? Missiles? Rockets? Escape pods? A mass exodus of humanity? \nProteus 2.0 by Maria Smigielska (ch/pl) and Pierre Cutellic (ch/fr)\, is the second version in a series of experiments on modulating matter with the help of combined human and machine intelligence. The installation makes use of ferrofluid\, which through its magnetism constantly changes its shape based on electrical signals  from human brain activity. \nIn his video installation\, Scenes from Daily Life\, Hiroki Yokoyama (jp) presents us for a future in which humanoid robots blend into our daily lives including possible quirks and failures that may follow. \nFuture You is an interactive video installation from Universal Everything (uk) that playfully presents us for a unique reflection of the audience’s potential\, synthetic self. Starting as a primitive form\, it learns from your movements to adapt\, suggesting an agile\, superior version of you. \nThe Norwegian Media Art Library (Norsk Mediakunstbibliotek) by TEKS\, curator: Zane Cerpina\, is a collection of printed publications covering the Norwegian media art field. The library represents the most comprehensive documentation of media arts in Norway\, both in terms of history\, artistic activity\, artists\, and general developments within the field. Meta.Morf X – Digital Wild presents the third edition. \nEspen Gangvik\nFebruary 2020 \n—————————————-\n \nNORSK \nDEN DIGITALE VILLMARKEN\nMeta.Morf X – Digital Wild \n  \nI dag\, omtrent seksti år inn i den den digitale revolusjonen\, er en betydelig del av vårt samfunn gjennomdigitalisert. Det digitale domenet har blitt vårt nye habitat\, sømløst sammenflettet med oss selv og naturen rundt oss. \nUnderskogen av nye teknologier og deres praktiske implementeringer er enorm. Denne digitale villmarken utvikler seg og ekspanderer i et eksponentielt akselererende tempo. Våre oppfatninger av livet er utfordret\, vi er blitt arkitekter av kunstige økologier\, av nye og hybride verdener. \nKunstnerisk og vitenskapelig forskning utfordrer kontinuerlig våre syn på livet med nye filosofiske og eksistensielle spørsmål\, og kunstneren spiller som aldri før en sentral rolle som formidler og fortolker av ny kunnskap og forskning. \nUtstillingen Meta.Morf X – Digital Wild presenterer kunstnere som gjennom sin praksis utforsker\, studerer og kommenterer vår digitale historie og fremtid. \nRandom Access Memory er en installasjon fra Ralf Baecker (de) som reflekterer over samspillet mellom idé og materie\, og deres møte innen moderne informasjonsteknologi. \nRealness – Intimate Garden av Sandrine Deumier (fr) er en video- og VR-installasjon som utforsker muligheter for en fremtidig mutant og hybrid natur. \nDisnovation.org (fr / pl) gir et kritisk syn på tøylesløs teknologi-innovasjon gjennom mixed media installasjonen Shanzhai Archeology. Installasjonen presenterer en eksepsjonell samling av imiterte mobiltelefoner produsert i Kina\, hybride produkter som utvikles med en utrolig hastighet gjennom piratkopiering\, unik kreativitet og selvlærte ferdigheter. \nLouis Frehring (fr) presenterer Singing Birds\, en lydinstallasjon med datagenererte fuglesanger som imiterer de ornitologiske lydbildene som finnes i og rundt Trondheim. \nI sin video- og internett-installasjon Eternal U Inc. utforsker Kyriaki Goni (gr) en fremtidig forretningsmodell for bevaring av minnene og opplevelsene til våre tapte kjære. \nI deres mixed media installasjon ArchaeaBot\, presenterer Anna Dumitriu (uk) og Alex May (uk) en post-singular og post-klimaendring livsform\, den “ultimate” arten tilpasset verdens ende slik vi kjenner den. \nI sine 3D-objekter\, videoer og digitale trykk\, Soft Bodies\, Environmental Monitoring System og Quasi-Objects\, utforsker Lorenzo Oggiano (it) syntetisk baserte systemer med prosessuelle aktiviteter unnfanget i sin egen verden. \nDaniel Slåttnes (no) har siden 2015 undersøkt muligheter for kommunikasjon mellom mennesker og planter. Plant Cyborg\, består av seks planter (P. Obtusifolia) der hver plante er montert på en mekanisk enhet som gjør det mulig for planten å bevege seg basert på plantens egne elektriske signaler. \nI videoinstallasjonen Orion Tide\, teleporterer Kelly Richardson (ca)\, oss til overflaten på en udefinert planet der vi blir tilskuere til et fenomen av plutselige utbrudd og eksplosjoner av lys og røyk vi ikke blir gitt en forklaring på. Naturfenomen? Raketter? Redningskapsler? En menneskelig masseutvandring? \nProteus 2.0 av Maria Smigielska (ch / pl) og Pierre Cutellic (ch / fr)\, er den andre versjonen i en serie eksperimenter som handler om å modulere materie ved hjelp av å kombinere menneskelig og maskinell intelligens. Installasjonen benytter seg av materialet ferrofluid\, som gjennom sine magnetiske egenskaper kan endre form fortløpende\, i dette tilfellet basert på elektriske impulser fra menneskelig hjerneaktivitet. \nI sin videoinstallasjon\, Scenes from Daily Life\, presenterer Hiroki Yokoyama (jp) oss for en fremtid der humanoide roboter er en del av vårt daglige liv\, med maskin- og programmeringsfeil som en del av hverdagen. \nFuture You er en interaktiv videoinstallasjon fra Universal Everything (uk) som lekent presenterer oss for publikums potensielle\, syntetiske jeg. Med en primitiv form som utgangspunkt\, utvikler din avatar seg basert på dine bevegelser\, antydende en mer fleksibel og overlegen versjon av deg selv. \nNorwegian Media Art Library (Norsk Mediakunstbibliotek) produsert av TEKS\, kurator Zane Cerpina\, er et bibliotek som tar mål av seg å samle alle trykte publikasjoner som angår det norske mediakunstfeltet. Samlingen representerer den mest omfattende dokumentasjonen av mediakunst i Norge\, både hva gjelder historie\, kunstnerisk aktivitet\, kunstnere og den generelle utviklingen i feltet. Meta.Morf X – Digital Wild presenterer den tredje utgaven av samlingen. \nEspen Gangvik\nFebruar 2020
URL:https://teks.no/event/metamorf-x-digital-wild/
LOCATION:TKM – Gråmølna\, Trenerysgt. 9\, Trondheim\, 7042\, Norway
CATEGORIES:Event,Exhibition,Installation,Meta.Morf,Upcoming
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ORGANIZER;CN="TEKS - Trondheim Elektroniske Kunstsenter / Trondheim Electronic Arts Centre":MAILTO:teks@teks.no
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