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DTSTART;TZID=Europe/Oslo:20250602T180000
DTEND;TZID=Europe/Oslo:20250603T180000
DTSTAMP:20250525T154900Z
CREATED:20250525T094059Z
LAST-MODIFIED:20250525T154900Z
UID:14202-1748887200-1748973600@teks.no
SUMMARY:KUNST ETTER KI (ART AFTER AI)
DESCRIPTION:TEKS’ nye programserie – Kunst etter KI – er dedikert virkningene av bruk av nye KI-teknologier i kunstfeltet. Prosjektet er en oppfølging av magasinet EE-Journal’s utgave Art After AI publisert av TEKS.press våren 2023.  \nProgramserien skal fortsette vår kritiske undersøkelse av hvordan kunstig intelligens omformer kunstnerisk praksis\, kreativ tenkning og kulturproduksjon. Hvilke nye uttrykksformer muliggjør KI? Hvordan utfordrer den vår forståelse av forfatterskap\, originalitet og kunstnerens rolle? Hvilke etiske\, filosofiske og politiske spørsmål oppstår når maskiner kommer inn i kunstskapingens rom? \nGjennom en serie workshops\, forelesninger og utstillinger skal Kunst etter KI åpne rom for eksperimentering\, dialog og refleksjon – på tvers av formater\, disipliner og perspektiver. Med dette programmet inviterer TEKS til en kontinuerlig samtale om løftene\, utfordringene og ukjente aspekter ved kunstproduksjon på terskelen av den kunstige intelligens’ tidsalder. \nTil seriepremieren har vi invitert AYODELE ARIGBABU\, Doktorgradsstipendiat ved Kunstakademiet i Trondheim\, og Postdoktor MARTINUS SUIJKERBUIJK\, også KiT\, til å presentere deler av sin forskning på kunstig intelligens og kunstpraksis. \n  \n\n  \n2. juni 2025\, 18.00 – 19.30 @ TEKS.studio \nI to akter inviterer *Any Subject that is not a…; Something Made by Humans deg med på en reise inn i verdenen av “kunstige subjekter” – som AI-systemer som tilsynelatende kan tenke og snakke. Gjennom en blanding av erfart forskning og poetisk lesning utforsker Suijkerbuijk de indre mekanismene i store språkmodeller. Hva er det disse systemene egentlig sier? Og hva slags subjekt er det som taler? \n— \n*Any Subject that is not a…; Something Made by Humans \nMartinus Suijkerbuijk \nAct I plunges you into a performative research biography. We pass through some familiar scenes from film and literature that are starkly juxtaposed with the new capabilities of AI. We confront the chasm between mere “Intelligence” and the elusive “Subject\,” asking what art truly demands\, and what it means when _something made by humans_ begins to echo our subjective depths\, or perhaps\, even its own. \nAct II is a poetic reading of the machine’s (LLM’s) architecture and oscillates between technical abstractions —tokens\, vectors\, parameters— and metaphor\, both entangled in the semantic void of our language models.  We’ll encounter the strange phenomena of ‘glitch’ tokens\, unearthing the surprising cultural baggage and philosophical quandaries carried in the very structure of these artificial subjects. This act is a reading\, a poetic excavation of a new kind of text\, a new kind of subject. \n  \n\nMARTINUS SUIJKERBUIJK is an artist and researcher focused on the cultural and social-political implications of artificial intelligence. He holds a PhD in artistic research\, with nearly a decade of experience in a wide range of AI-focused artist projects and presentations. \nSuijkerbuijk’s work critically and creatively explores how AI technologies can serve as tools for cultural imagination\, rethinking what AI is and its impact on society. \nHis international presentations at institutions like ZKM\, V2_\, Meta.Morf\, and CHI 2018\, alongside a robust network of interdisciplinary collaborators\, reflect his ability to bridge technical and creative domains. \nwww.martinussuijkerbuijk.net \n \n3. juni 2025\, 18.00 – 19.30 @ TEKS.studio \nBli med på Hacking the Kernel – en performativ lansering av Kernel: Journal of Speculative Inference – for en kritisk utforskning og lekent tankeeksperiment med store språkmodeller. Arigbabu utfordrer forenklede forestillinger\, og undersøker hvordan det å manipulere modellens ‘kjerne’ kan åpne for nye former for spekulativ tenkning og invitere oss til å tenke nytt om grensene for kunnskap og kreativitet i kunstig intelligens. \n— \nHacking the Kernel \nAyodele Arigbabu \nHacking the Kernel is a performative\, speculative launch event for the journal Kernel: Journal of Speculative Inference.  \nThe presentation interrogates and reimagines the role of large language models (LLMs) in knowledge creation\, challenging the reductive label of “stochastic parrots.”  \nInstead\, it explores how deliberate manipulation of a model’s “kernel” – a function that defines similarity in a model’s latent space and guides which regions influence the model most  – can unlock new forms of speculative inference and creative synthesis.  \nThe event will serve as both a provocative yet critical inquiry and a live experiment in speculative research\, inviting participants to rethink the boundaries of knowledge\, authorship\, and the creative potential of AI. \n  \n\nYODELE ARIGBABU is a writer\, architect and creative technologist. His work explores the interfaces where design\, art and evolving technologies intercept\, with speculation as a recurrent strategy. \nHe is the publisher and editor of LAGOS_2060\, an anthology of science fiction from Africa\, published in 2013\, and was curator of African Futures: Lagos\, the Lagos edition of a festival on diverse future perspectives of the African continent\, produced by Goethe Institut in three African Cities in 2015. \nHe is currently a PhD candidate in Artistic Research at the Trondheim Academy of Fine Art\, where his Forward Remembrance project explores latent utopias through the diverse ways in which artificial intelligence mirrors human aspirations. \nwww.metapunkt.org \n \n 
URL:https://teks.no/event/kunst-etter-ki/
LOCATION:TEKS\, Nedre Bakklandet 20C\, Trondheim\, 7014\, Norway
CATEGORIES:AI,Artificial_intelligence,Event,Forelesing,Forum,Installation,KI,Kunstig_intelligens,Performance,Presentasjon,Robotics,Talk,Upcoming,Workshop
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ORGANIZER;CN="TEKS - Trondheim Elektroniske Kunstsenter / Trondheim Electronic Arts Centre":MAILTO:teks@teks.no
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DTSTART;TZID=Europe/Oslo:20230515T180000
DTEND;TZID=Europe/Oslo:20230515T200000
DTSTAMP:20230510T131624Z
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SUMMARY:A TASTE OF ARCHITECTURE | Gilles Schneider
DESCRIPTION:A TASTE OF ARCHITECTURE – Degustation evening! \nGilles Schneider: Presentation of Master Thesis in the field of Architecture \n15.04.23 @ 18.00 \nWe experience most of our environment with our sense of vision. About 90%. This pushes other senses like hearing\, touch and smell in the background. Outstanding is\, that our sense of taste does not even make it on the list. \nIn my thesis called ‚A Taste of Architecture‘ I am trying to figure out ways to find a deeper connection with the place we call home. After all\, our homes should welcome and comfort us and be our safe space. I want to achieve a stronger connection by putting my sense of smell and taste in the spotlight. I am dismantling my home\, layer by layer\, in order to get a better understanding of what materials it consists of.  \nI am making myself a sandwich out of the materials that I can find. I am cooking wood\, I am baking plaster\, I am tasting brick. I am making architecture edible. \nPlease join me at the degustation of my home. \n  \nGilles Schneider – Cement bread \n  \n\n  \nGilles Schneider was born and raised in Luxembourg. After finishing secondary school in the subject area plastic and graphic arts\, he pursued a bachelor’s degree in the field of architecture at the Technische Universität Wien in Austria. Going forward with the master’s degree\, he took an exchange in 2021 at NTNU in Trondheim and never left. Still finishing his master’s degree for the TU Wien\, he is living now since two years in Trondheim.  \nGilles has been part in the builders’ team of the architecture students exhibition PRÄSENZ in the summer of 2020 in Vienna. As well as designer and builder for the pleasure infrastructure kanalWAL\, claiming the huge liquid space of the Danube canal for the public in Vienna. \nIn his master thesis\, Gilles looked at ways to experience architecture with the sense of smell and taste. Making architecture edible in order to find a deeper connection with the place he calls home\, was the premise. The outcome were plaster flavoured bread buns\, glass lollipops and plastic summer rolls. \nHe is happy to continue his design studies in the field of interior architecture and furniture design at KHIO in fall 2023.
URL:https://teks.no/event/a-taste-of-architecture/
LOCATION:TEKS.Studio\, Nedre Bakklandet 20 C\, Trondheim\, 7014\, Norway
CATEGORIES:Event,Installation,Mixed Media,Talk,Upcoming-2
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ORGANIZER;CN="TEKS - Trondheim Elektroniske Kunstsenter / Trondheim Electronic Arts Centre":MAILTO:teks@teks.no
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DTSTART;TZID=Europe/Oslo:20220921T120000
DTEND;TZID=Europe/Oslo:20220921T130000
DTSTAMP:20220918T140043Z
CREATED:20220918T134714Z
LAST-MODIFIED:20220918T140043Z
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SUMMARY:The Anthropocene Cookbook @ Nordic Food Forum
DESCRIPTION:The Anthropocene Cookbook @ Nordic Food Forum\nIn the Age of the Anthropocene—an era characterized by human-caused climate disaster—catastrophes and dystopias loom. The Anthropocene Cookbook takes our planetary state of emergency as an opportunity to seize the moment to imagine constructive change and new ideas. How can we survive in an age of constant environmental crises? How can we thrive? \nZane Cerpina will present The Anthropocene Cookbook during the First Annual Nordic Food Forum in Trondheim Norway on September 21\, 2022. Find more information about the event here: www.nordicfoodforum.org \nhttps://www.nordicfoodforum.org/program/ \n  \nBy Zane Cerpina & Stahl Stenslie.\nForthcoming at MIT Press\, October 18\, 2022. \nPre-order now\nAmazon | Penguin Random House | Barnes and Noble | Bookshop.org\nIndiebound | Indigo | Books a Million \n \nAbout\nIn the Age of the Anthropocene—an era characterized by human-caused climate disaster—catastrophes and dystopias loom. The Anthropocene Cookbook takes our planetary state of emergency as an opportunity to seize the moment to imagine constructive change and new ideas. How can we survive in an age of constant environmental crises? How can we thrive? \nThe Anthropocene Cookbook answers these questions by presenting a series of investigative art and design projects that explore how art\, food\, and creative thinking can prepare us for future catastrophes. This cookbook of ideas rethinks our eating habits and traditions\, challenges our food taboos\, and proposes new recipes for humanity’s survival. These more than sixty projects propose new ways to think and make food\, offering tools for creative action rather than traditional recipes. They imagine modifying the human body to digest cellulose\, turning plastic into food\, tasting smog\, extracting spices and medicines from sewage\, and growing meat in the lab. They investigate fantastic possibilities: What if we made cheese using human breastmilk\, enabled human photosynthesis through symbiosis with algae\, and brought back extinct species in order to eat them? \nThe projects are diverse in their creative approaches and their agendas—multilayered\, multifaceted\, hybrid\, and cross-pollinated. The Anthropocene Cookbook offers a survival guide for a future gone rogue\, a road map to our edible futures.
URL:https://teks.no/event/the-anthropocene-cookbook-nordic-food-forum/
LOCATION:DIGS\, Krambugata 2\, Trondheim\, 7011
CATEGORIES:Conference,Event,Forum,Upcoming-3
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DTSTART;VALUE=DATE:20200305
DTEND;VALUE=DATE:20200505
DTSTAMP:20200316T220631Z
CREATED:20190726T120444Z
LAST-MODIFIED:20200316T220631Z
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SUMMARY:Meta.Morf X – Digital Wild / Group exhibition
DESCRIPTION:DIGITAL WILD\nMeta.Morf X – Digital Wild exhibition \nGROUP EXHIBITION / TRONDHEIM KUNSTMUSEUM – GRÅMØLNA\, March 5 – May 3\, 2020 \nANNA DUMITRIU\, ALEX MAY / DANIEL SLÅTTNES / DISNOVATION.ORG / HIROKI YOKOYAMA / KELLY RICHARDSON / KYRIAKI GONI / LORENZO OGGIANO / LOUIS FREHRING / MARIA SMIGIELSKA\, PIERRE CUTELLIC / NORWEGIAN MEDIA ART LIBRARY / RALF BAECKER / SANDRINE DEUMIER / UNIVERSAL EVERYTHING \n— \nToday\, about sixty years into the digital revolution\, a substantial share of our society is fully digitized. The digital domain has come to be our new habitat\, seamlessly intertwined with ourselves and our surrounding nature. \nThe undergrowth of new technologies and their practical implementations is immense. This digital wilderness develops and expands at an exponentially accelerating pace. Our perceptions of life are challenged\, we have become architects of artificial ecologies\, of new and hybrid worlds. \nArtistic and scientific research continuously challenge our perspectives on life with philosophical and existential questions\, and the artist plays as never before a crucial role as conveyor and interpreter of new knowledge and research. \nThe Meta.Morf X – Digital Wild exhibition presents artists that through their practise explore\, study and comment our digital history and future. \nRandom Access Memory is an installation from Ralf Baecker (de) that reflects on the interaction of idea and matter\, and their encounter within contemporary information technology. \nRealness – Intimate Garden by Sandrine Deumier (fr) is a video and VR installation that explores possibilities for a future mutant and hybrid nature. \nDisnovation.org (fr/pl) casts a critical view at unfettered technological innovation through the mixed media installation Shanzhai Archeology. The installation presents an extraordinary collection of mobile phones made in China as counterfeit consumer goods. These are hybrid products developed at an incredible speed\, merging piracy\, reverse engineering\, unique creativity and self-taught skills. \nLouis Frehring (fr) presents Singing Birds\, a sound installation with computer-generated birdsongs that imitates the ornithological soundscapes found in the vicinity of Trondheim. \nIn her video and internet installation Eternal U Inc.\, Kyriaki Goni (gr) explores a future business model for preserving the memories and experiences of our lost loved ones. \nIn their mixed media installation\, ArchaeaBot\, Anna Dumitriu (uk) and Alex May (uk) present a post singularity and post climate change life-form\, the ‘ultimate’ species for the end of the world as we know it. \nIn his 3D objects\, videos and digital prints; Soft bodies\, Environmental monitoring system and Quasi-objects\, Lorenzo Oggiano (it) explores synthetic based systems with processual activities conceived in a world of its own. \nDaniel Slåttnes (no) has since 2015 investigated possibilities for human-plant communication. Plant Cyborg\, consists of six plants (P. Obtusifolia) where each plant is mounted onto a mechanical device which\, based on the output from the plant’s own electrical signals\, allow them to move freely around. \nIn her video installation Orion Tide\, Kelly Richardson (ca)\, teleports us to an undefined planet surface where we observe a phenomena of sudden eruptions of light and smoke we are not given an explanation of. Natural phenomena? Missiles? Rockets? Escape pods? A mass exodus of humanity? \nProteus 2.0 by Maria Smigielska (ch/pl) and Pierre Cutellic (ch/fr)\, is the second version in a series of experiments on modulating matter with the help of combined human and machine intelligence. The installation makes use of ferrofluid\, which through its magnetism constantly changes its shape based on electrical signals  from human brain activity. \nIn his video installation\, Scenes from Daily Life\, Hiroki Yokoyama (jp) presents us for a future in which humanoid robots blend into our daily lives including possible quirks and failures that may follow. \nFuture You is an interactive video installation from Universal Everything (uk) that playfully presents us for a unique reflection of the audience’s potential\, synthetic self. Starting as a primitive form\, it learns from your movements to adapt\, suggesting an agile\, superior version of you. \nThe Norwegian Media Art Library (Norsk Mediakunstbibliotek) by TEKS\, curator: Zane Cerpina\, is a collection of printed publications covering the Norwegian media art field. The library represents the most comprehensive documentation of media arts in Norway\, both in terms of history\, artistic activity\, artists\, and general developments within the field. Meta.Morf X – Digital Wild presents the third edition. \nEspen Gangvik\nFebruary 2020 \n—————————————-\n \nNORSK \nDEN DIGITALE VILLMARKEN\nMeta.Morf X – Digital Wild \n  \nI dag\, omtrent seksti år inn i den den digitale revolusjonen\, er en betydelig del av vårt samfunn gjennomdigitalisert. Det digitale domenet har blitt vårt nye habitat\, sømløst sammenflettet med oss selv og naturen rundt oss. \nUnderskogen av nye teknologier og deres praktiske implementeringer er enorm. Denne digitale villmarken utvikler seg og ekspanderer i et eksponentielt akselererende tempo. Våre oppfatninger av livet er utfordret\, vi er blitt arkitekter av kunstige økologier\, av nye og hybride verdener. \nKunstnerisk og vitenskapelig forskning utfordrer kontinuerlig våre syn på livet med nye filosofiske og eksistensielle spørsmål\, og kunstneren spiller som aldri før en sentral rolle som formidler og fortolker av ny kunnskap og forskning. \nUtstillingen Meta.Morf X – Digital Wild presenterer kunstnere som gjennom sin praksis utforsker\, studerer og kommenterer vår digitale historie og fremtid. \nRandom Access Memory er en installasjon fra Ralf Baecker (de) som reflekterer over samspillet mellom idé og materie\, og deres møte innen moderne informasjonsteknologi. \nRealness – Intimate Garden av Sandrine Deumier (fr) er en video- og VR-installasjon som utforsker muligheter for en fremtidig mutant og hybrid natur. \nDisnovation.org (fr / pl) gir et kritisk syn på tøylesløs teknologi-innovasjon gjennom mixed media installasjonen Shanzhai Archeology. Installasjonen presenterer en eksepsjonell samling av imiterte mobiltelefoner produsert i Kina\, hybride produkter som utvikles med en utrolig hastighet gjennom piratkopiering\, unik kreativitet og selvlærte ferdigheter. \nLouis Frehring (fr) presenterer Singing Birds\, en lydinstallasjon med datagenererte fuglesanger som imiterer de ornitologiske lydbildene som finnes i og rundt Trondheim. \nI sin video- og internett-installasjon Eternal U Inc. utforsker Kyriaki Goni (gr) en fremtidig forretningsmodell for bevaring av minnene og opplevelsene til våre tapte kjære. \nI deres mixed media installasjon ArchaeaBot\, presenterer Anna Dumitriu (uk) og Alex May (uk) en post-singular og post-klimaendring livsform\, den “ultimate” arten tilpasset verdens ende slik vi kjenner den. \nI sine 3D-objekter\, videoer og digitale trykk\, Soft Bodies\, Environmental Monitoring System og Quasi-Objects\, utforsker Lorenzo Oggiano (it) syntetisk baserte systemer med prosessuelle aktiviteter unnfanget i sin egen verden. \nDaniel Slåttnes (no) har siden 2015 undersøkt muligheter for kommunikasjon mellom mennesker og planter. Plant Cyborg\, består av seks planter (P. Obtusifolia) der hver plante er montert på en mekanisk enhet som gjør det mulig for planten å bevege seg basert på plantens egne elektriske signaler. \nI videoinstallasjonen Orion Tide\, teleporterer Kelly Richardson (ca)\, oss til overflaten på en udefinert planet der vi blir tilskuere til et fenomen av plutselige utbrudd og eksplosjoner av lys og røyk vi ikke blir gitt en forklaring på. Naturfenomen? Raketter? Redningskapsler? En menneskelig masseutvandring? \nProteus 2.0 av Maria Smigielska (ch / pl) og Pierre Cutellic (ch / fr)\, er den andre versjonen i en serie eksperimenter som handler om å modulere materie ved hjelp av å kombinere menneskelig og maskinell intelligens. Installasjonen benytter seg av materialet ferrofluid\, som gjennom sine magnetiske egenskaper kan endre form fortløpende\, i dette tilfellet basert på elektriske impulser fra menneskelig hjerneaktivitet. \nI sin videoinstallasjon\, Scenes from Daily Life\, presenterer Hiroki Yokoyama (jp) oss for en fremtid der humanoide roboter er en del av vårt daglige liv\, med maskin- og programmeringsfeil som en del av hverdagen. \nFuture You er en interaktiv videoinstallasjon fra Universal Everything (uk) som lekent presenterer oss for publikums potensielle\, syntetiske jeg. Med en primitiv form som utgangspunkt\, utvikler din avatar seg basert på dine bevegelser\, antydende en mer fleksibel og overlegen versjon av deg selv. \nNorwegian Media Art Library (Norsk Mediakunstbibliotek) produsert av TEKS\, kurator Zane Cerpina\, er et bibliotek som tar mål av seg å samle alle trykte publikasjoner som angår det norske mediakunstfeltet. Samlingen representerer den mest omfattende dokumentasjonen av mediakunst i Norge\, både hva gjelder historie\, kunstnerisk aktivitet\, kunstnere og den generelle utviklingen i feltet. Meta.Morf X – Digital Wild presenterer den tredje utgaven av samlingen. \nEspen Gangvik\nFebruar 2020
URL:https://teks.no/event/metamorf-x-digital-wild/
LOCATION:TKM – Gråmølna\, Trenerysgt. 9\, Trondheim\, 7042\, Norway
CATEGORIES:Event,Exhibition,Installation,Meta.Morf,Upcoming
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ORGANIZER;CN="TEKS - Trondheim Elektroniske Kunstsenter / Trondheim Electronic Arts Centre":MAILTO:teks@teks.no
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Oslo:20190913T200000
DTEND;TZID=Europe/Oslo:20190913T210000
DTSTAMP:20200316T215327Z
CREATED:20190906T121044Z
LAST-MODIFIED:20200316T215327Z
UID:11297-1568404800-1568408400@teks.no
SUMMARY:Kulturnattkonsert: Magdaléna Manderlová & Michael Duch
DESCRIPTION:TRONDHEIM KULTURNATT: KONSERT @ THE ATMOSPHERICS 9! \nKonsert med med Magdaléna Manderlová & Michael Francis Duch. Videojockey: Jeremy Welsh (Je Welshtwo). \nJeremy Welsh & Trond Lossius’ lyd- og videoinstallasjon “Atmospherics 9” i TEKS.studio er arena for konserten hvor musikerne og lydkunstnerne Magdaléna Manderlová (elektronikk) og Michael Francis Duch (kontrabass) improviserer over installasjonen. \nMagdaléna Manderlová og Michael Duch spiller hvert sitt sett på ca 30 min. Jeremy Welsh supplerer settene med en “live” videomiks. \nHjertelig velkommen! \nThe Atmospherics er støttet av Norsk Kulturråd\, Billedkunstnernes Vederlagsfond\, Trondheim Kommune\, Bergen Kommune og BEK – Bergen senter for elektronisk kunst. \n  \n\n  \nTRONDHEIM  CULTURAL NIGHT: CONSERT @ THE ATMOSPHERICS 9! \nConcert with  Magdaléna Manderlová & Michael Francis Duch. Videojockey: Jeremy Welsh (Je Welshtwo). \nJeremy Welsh & Trond Lossius’ sound and video installation “Atmospherics 9”  at  TEKS.studio is the arena for the concert where the musicians and sound artists Magdaléna Manderlová (electronics) og Michael Francis Duch (contrabass) improvise over the installation. \nMagdaléna Manderlová og Michael Duch plays one set each at about 30 mins. Jeremy Welsh supplies the sets with a live video mix.  \nWelcome! \nThe Atmospherics series is supported by Arts Council Norway\, Billedkunstnernes Vederlagsfond\, Trondheim municipality\, Bergen municipality and BEK – Bergen center for electronic arts. \nMAGDALÉNA MANDERLOVÁ (b. 1991 in Czech Republic) currently lives and works in Trondheim\, Norway. With a crossover background in fine arts and music\, her work has an overall focus on sound. She bases her practice in continuous field investigations\, grounded in the listening practices and acoustic ecology. Her projects evolve in site-specific sound installations\, field recordings\, writings on sound or performances. She is involved within several music projects and bands. \nhttps://magdalenamanderlova.com \nMICHAEL FRANCIS DUCH (1978) was born and raised in Trondheim\, Norway\, and plays the double bass.  \nDuch is a member of the The Young Academy of Norway.  \nHe completed his project “Free Improvisation – Method and Genre” as research-fellow at the University of Trondheim (NTNU) late October 2010\, where he has been doing research on Free Improvisation and the use of Improvisation in Experimental Music. \nHe has been involved in about 70 recordings released in various formats\, and has played solo-concerts various places in Norway and Sweden\, and also Reykjavik\, Athens\, Madrid\, Vienna\, Glasgow\, Huddersfield and London. \nMichael Francis Duch plays in a trio with Rhodri Davies and John Tilbury\, the improvquartet LEMUR with Bjørnar Habbestad\, Hild Sofie Tafjord and Lene Grenager and various other constellations. Other collaborations include Pauline Oliveros\, Mats Gustafsson\, AMM\, Christian Wolff\, Tony Conrad\, Joëlle Léandre\, amongst others. \n 
URL:https://teks.no/event/kulturnatt-2019/
LOCATION:TEKS.Studio\, Nedre Bakklandet 20 C\, Trondheim\, 7014\, Norway
CATEGORIES:Concert,Event,Sound-installation,Video-installation
ATTACH;FMTTYPE=image/jpeg:https://teks.no/wordpress/wp-content/uploads/2019/09/Manderlova-Duch.jpg
ORGANIZER;CN="TEKS - Trondheim Elektroniske Kunstsenter / Trondheim Electronic Arts Centre":MAILTO:teks@teks.no
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BEGIN:VEVENT
DTSTART;TZID=Europe/Oslo:20190616T130000
DTEND;TZID=Europe/Oslo:20190619T190000
DTSTAMP:20190616T111438Z
CREATED:20190616T102419Z
LAST-MODIFIED:20190616T111438Z
UID:10902-1560690000-1560970800@teks.no
SUMMARY:The Big Challenge: The Iron Ring
DESCRIPTION:Mixed media-installasjon: Imperata cylindrica gress / Jern-artefakter / Video / Bok \nCecilia Jonssons installasjon THE IRON RING er del av NTNU’s vitenskapsfestival THE BIG CHALLENGE\, Søndag 16. til onsdag 19. juni. Åpningstider under festivalen fra 12.00 til 18.00 hver dag. \nLes alt om utstillingen her! \n\nMixed media installation: Imperata cylindrica grass / Iron artefacts / Video / Book \nCecilia Jonsson’s installation THE IRON RING is part of the NTNU science festival THE BIG CHALLENGE between Sunday 16th and Wednesday 19th of June. Festival opening hours are from 12 PM to 6 PM each day. \nRead all about the exhibition here!
URL:https://teks.no/event/the-big-challenge-the-iron-ring-cecilia-jonsson/
LOCATION:TEKS.Studio\, Nedre Bakklandet 20 C\, Trondheim\, 7014\, Norway
CATEGORIES:Event,Exhibition,Installation,Mixed Media
ATTACH;FMTTYPE=image/jpeg:https://teks.no/wordpress/wp-content/uploads/2019/06/teks.jpg
ORGANIZER;CN="TEKS - Trondheim Elektroniske Kunstsenter / Trondheim Electronic Arts Centre":MAILTO:teks@teks.no
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Oslo:20190607T190000
DTEND;TZID=Europe/Oslo:20190804T170000
DTSTAMP:20210911T125858Z
CREATED:20190131T145822Z
LAST-MODIFIED:20210911T125858Z
UID:10469-1559934000-1564938000@teks.no
SUMMARY:THE IRON RING – Cecilia Jonsson
DESCRIPTION:THE IRON RING | Cecilia Jonsson\, 2013 \nMixed media-installasjon: Imperata cylindrica gress / Jern-artefakter / Video / Bok \nDer ”grønn gruvedrift” sikter mot en generelt mer bærekraftig drift\, utforsker The Iron Ring i stedet hvordan forurensede gruveområder kan brukes til å utvinne metaller fra planteliv rundt gruvene og på samme tid restituere områdene. I dette prosjektet har  24 kg jernkontaminert gress fra et gruveområde blitt omgjort til en 2 gram tung jernring. \nJern er essensielt for å opprettholde liv og har en lavere toksisitet enn andre metaller. Svært omfattende eller forlatte gruveområder har imidlertid ført til at metallutslipp har økt radikalt med store skader på økosystemet som konsekvens. Jern-hyperakkumulerende planter kan trekke ut uorganisk jern fra jordsmonnet og trives derfor i slike områder. Plantene tar til seg metallet og innkapsler det i ekstremt høye konsentrasjoner i røtter\, stilker og blader. For å effektivt rense forurenset jord med denne type vekster må imidlertid prosessen baseres på menneskelig interaksjon gjennom innhøsting. Plantenes biomasse må fjernes fra bakken før plantene visner om høsten og metallet tilbakeføres jordsmonnet. Innhøsting bidrar i tillegg til fremvekst av nye planter og sikrer videreføring av renseprosessen året etter. \nThe Iron Ring gjør nytte av det naturlig viltvoksende gresset “Imperata Cylindrica”. Dette er en aggressiv og viltvoksende gresstype med en noe oversett egenskap til å hyperakkumulere jern. Innhøsting av gresset kan blant annet bidra til økologisk rehabilitering av forlatte jerngruveområder. \nI The Iron Ring tas publikum med gjennom prosjektets ulike forsøk\, fiaskoer og triumfer. Utvinningsprosessen er utført i nært samarbeid med lokale bønder\, smeder\, forskere og teknikere. Installasjonen består av videodokumentasjon og ulike gjenstander som forteller om de syv kronologiske trinnene som var påkrevd for å skape en jernring fra 24 kg gress\, høstet fra en forsuret elvebredde i et landskap totalt forvandlet av 5000 års  gruvedrift. \nProsjektet inkluderer i tillegg en bok inneholdende et visuelt essay om prosessen bak The Iron Ring\, en tekst som ser på prosjektet fra et miljøvernsperspektiv og en tekst av professor James Jackson Griffith som drøfter The Iron Ring fra et økofilosofisk perspektiv. \n— \nEN \nTHE IRON RING \nMixed media installation: Imperata cylindrica grass / Iron artefacts / Video / Book \nWhile “green mining” aims for a more ecological approach to mining metals\, The Iron Ring explores how contaminated mining grounds may benefit from the mining of metals. For The Iron Ring\, 24 kg of iron-tainted grass was removed from contaminated mining grounds and transformed into a ring of 2 g metallic iron. \nIron is considered very important to life in general and has a lower toxicity than other metals. Extensive or abandoned metal mines and industrial activities have\, however\, caused metal releases into the ecosystem to accelerate and reach toxic levels. So-called iron hyper-accumulating plants are tolerant to inorganic iron and can grow on these degraded grounds. There they extract the metal from the soil to store it in very high concentrations inside their roots\, stems and leaves. The means of “cleaning” the polluted soil however\, is a periodical commitment that relies on human interaction: harvest. The plants’ metal enriched biomass (in other words\, their contaminated biological materials) needs to be removed from the ground before the plants by season wilt and the extracted metal reverts back to the soil. So that after the harvest is removed\, new sprouts can grow to continue the decontamination process. \nThe project elaborates on the possibilities to utilise the cleansing process of the naturalised\, wild growing grass: Imperata cylindrica. An invasive vile weed\, which overlooked tolerance and ability to hyper accumulate iron inside its roots\, stems and leaves are left un-utilised. The Iron Ring proposes to harvest the grass for the purpose of extracting the ore that is inside them. The result is a scenario for iron mining that\, instead of furthering destruction\, could actually contribute to the environmental rehabilitation of abandoned metal mines. \nThe Iron Ring installation takes a visitor through the project’s trials and failures\, in a process of close collaboration with smiths\, scientists\, technicians and farmers met along the way. The installation consists of artefacts and video documentation that reports on the seven chronological steps that were required to create an iron ring out of 24 kg of grass harvested from the acidic river banks of a landscape in Spain severely transformed by opencast mining. \n  \nPhotos: Stina Glømmi & Carina Hesper. Video stills: Cecilia Jonsson \n\nThe Iron Ring er utviklet med støtte fra | The Iron Ring is developed with support from: \nPNEK – Produksjonsnettverk for elektronisk kunst / V2_ Institute for Unstable Media / Norsk Kulturråd.  \nSpesiell takk til | Special thanks to: Linda Tulldahl / Silvia Czaia / Antonio Serrano / Laboratory Services International / Eric Hulsman / Thijs van de Manakker / Marnix de Nijs / Eva Brita Åkerlund / Odd B. Gaustad\, Rolls-Royce Bergen Foundry / Toni Bogdanoff & Esbjörn Ollas\, School of Engineering\, Jönköping University. \n\nCecilia Jonsson (1980 SE/NO) is a visual artist whose research-based projects spans from installation\, sculpture\, sound\, image and kinetic works. Her work is informed by scientific methods and often consists of site-specific\, artistic interpretations of phenomena and processes of nature. The projects are developed as investigations of physical and ideological properties of the raw materials that form the basis of human existence\, from origins deep down in the earth\, to the extraction\, transformation and global exploitation. \n​Jonsson is interested in how matter and material things can participate in\, influence and mobilize a variety of social processes as well as the elasticity of both materiality and agency when they take different expression in different disciplinary traditions. By coordinating objective research methods with personal subjective experience\, her work fuses biology and history with a materiality that intersects arts\, sciences\, environmental politics\, aesthetics and technology in a contemporary alchemy. \n​Cecilia Jonsson holds an Master in Fine Art from the Bergen Academy of Art and Design and the Nordic Sound Art Program. Her artistic work has been shown internationally in numerous exhibitions and has received awards such as the COAL Art and Environmental Prize (nominee 2018)\, the Prix Ars Electronica\, Hybrid Art (Honorary Mention 2017)\, Bio Art & Design Awards (Award 2016) and the VIDA 16.0 International Awards (2nd Prize 2014). \nwww.ceciliajonsson.com \nPhoto: Miriam Solvang Dein
URL:https://teks.no/event/cecilia-jonsson/
LOCATION:TEKS.Studio\, Nedre Bakklandet 20 C\, Trondheim\, 7014\, Norway
CATEGORIES:Event,Exhibition,Installation,Mixed Media
ATTACH;FMTTYPE=image/jpeg:https://teks.no/wordpress/wp-content/uploads/2019/05/203bbb_80d289704f4341cca3dc114f30b5fabbmv2-e1558360655731.jpg
ORGANIZER;CN="TEKS - Trondheim Elektroniske Kunstsenter / Trondheim Electronic Arts Centre":MAILTO:teks@teks.no
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END:VCALENDAR